《野花》

曾在釜(🎪)山(shān )酒吧打(🕧)工的郑经理(🚔)，通过偶然的机会偷了混混的钱包之后成(🚁)功逃逸，逃到(🔯)首尔地下单(✴)(dān )间(🌵)的郑经(🏳)(jīng )理(🤯)等待着7年的(🤧)公诉时效期(🦂)满，在房间寸(🏺)步不离，开始(🌁)了彻底的隐(🌉)遁生活，但是(🦒)在公诉(sù )时效期满(mǎn )一周前(🌻)，郑经理偶然(🌥)跟邻家的小(🏢)女孩(🦂)恩美碰(🌖)面，

時(🗼)は安土桃山(🐡)時代。忍びの(🚁)郷を抜けた(📪)篠(17)は、追手(👳)から逃走す(🏮)る際に2015年に(📸)タイムスリ(🛳)ップしてしまう。

主人公穆夏(🐽)是一名小说(😷)家，正在创作(🎓)(zuò )一(😸)部小说(🐖)，近来(〰)常常被噩梦(📬)纠缠。丈夫莫(👫)洋为她安排(🛋)心理医生做(🚡)治疗，可没想(⭕)到在催(cuī )眠(🔧)治疗过(guò )程中一个声称他才(🔥)是穆夏真丈(🌖)夫的男人出(👜)现，穆(👀)夏平静(➕)的世(🍌)界开始变的(💿)一团混乱。

初(🥫)(chū )三学生苏(📌)(sū )见心（钟(🔧)书航饰）因(💨)一个赌注结(🍨)识了大部分(🚄)男生心目中的女生周雨彤（(❤)崔梓盈饰。，周(😛)雨彤独(dú )特(💴)的气(🍐)质和举(😽)止让(❇)苏见心有了(♏)怦然心动的(🎛)感觉，正如初(🤠)恋时的酸奶(🥗)，永远都不会(🐱)过期(qī )，纵使(🐈)这(zhè )份藏不住的懵懂情愫难(👰)以控制。终于(👠)，苏见心获得(🔈)了女(🏚)神周雨(📭)彤的(🚬)芳心，展开了(🛵)了一(yī )段或(😾)甜或(huò )苦，或(💈)淡或涩的爱(🌪)情故事。

Separated from his family and caught in a cycle of gambling and debt, Jim has less than a day to repay a violent loan shark. His day is turned upside down when he must look after his young. Jim's relationship with his son is tested as his plans to pay back the loan fail. When his last desperate effort to repay the debt puts his son's life at risk, he must make a choice between his past and a second chance at life.

保罗(🎖)载着无忧无(🐻)虑身患绝症(🏊)的兄弟艾略特，踏上了去往加(🏒)(jiā )州猛犸 山(🆑)(shān )的告别之(🧜)旅。而(🚖)艾略特(🤤)计划(📏)着在猛犸山(🎪)按照“尊严死(🎳)亡法案” 来结(💪)束自己的生(🚾)命。保(bǎo )罗不(🐅)仅承(chéng )受着(🅱)极大的悲痛，还要承担起家 庭(😨)的责任。

出租(🖼)车司机栗花(🐖)的丈(📮)夫因车(🎳)祸去(👄)世。栗花(huā )与(📑)儿子张(zhāng )明(🥁)明的关系紧(🗂)张，为得到儿(🧀)子的承认，她(🌸)决定做儿子(👇)崇拜的英雄(🌻)。她化身出租女侠惩(chéng )恶扬善(🍁)，无意中招惹(🥠)了贩卖人体(🤩)器官(📄)的组织(🐎)。栗花(🍹)最终打败邪(🚯)恶组织，成为(🎃)儿子敬爱的(🚱)母亲。

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.